A Critical Commentary of Gottfried Benn’s D-Zug

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A critical commentary of Gottfried Benn’s D-Zug Introduction When we think of Expressionism we think of words that encourage a release of some kind, perhaps a release of emotion, a release of thought or free thinking or simply an expression of our creative beings. Dictionaries describe Expression as, “the action of making known one's thoughts or feelings”. Words such as “Utterance” and “statement” are synonyms. The Expressionist movement in history was just that; a time in the twentieth century when people began to rile against the forces or powers that attempted to censor their thoughts and actions. Expressionism refers to a time when people decided that Art was too important to society to be censored or banned. In a lot of cases, Expressionism attempted to portray a disagreement with either a Political view or the actions of a government. Often, Art from the expressionist era attempts to highlight the social state of a particular country, through painting, song, film and literature. It attempted to reflect the changes that were occurring in society or perhaps more accurately, be a mirror of peoples’ reactions to this society. In a way Expressionist artists strived to be a voice for the people within that society. Expressionism finds it roots in Germany in the run up to World War I. German Expressionism was a reaction to the Wilhelminian government that had taken control of a united Germany in 1914. Massive changes had taken place with the world moving towards Industrialisation and Mechanization. German Expressionist work was a rebellion against these ideas and from the bourgeois culture that had gripped pre-war Germany. German Expressionism dealt with Immediacy, influenced greatly by Nietzsche, whilst shunning the bourgeois art of the time. The movement also engaged with the ideas of Schopenhauer and Freud and their ideas heavily influenced a lot of writings.
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