A Comparative Study of Coraline and La Belle Dame Sans Merci

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Adrija Ghosh 9 May 2013 Reading Coraline and La Belle Dame sans Merci in Three Steps: Illusion, Snare and Castration The 2009 stop-motion animation film based on Neil Gaiman's book with the same name, Coraline has been reviewed as a film not very suitable for children even though it is animated and the protagonist is a ten year old American girl. Coraline, like Neil Gaiman's other works like Sandman is multi-layered when it comes to understanding each character to its core. Even though the protagonist, Coraline is only a ten year old child, the encounters she has is a mirror to those of the knight's in Keats' ballad, La Belle Dame sans Merci. The afore-mentioned ballad by Keats has given rise to numerous interpretations since its very publication in 1819. The title of the poem was borrowed from a 15th century poem by Alian Chartier. The two works of art in different media follow a, somewhat, similar trajectory. Keeping this in mind, the motive of this paper is to analyse critically the film and the poem, giving a close psychoanalytical reasoning to the imagery used in both. Two very distinct aspects about the poem, as is very evident, are those of illusion and of snare laid by the “faery's child” for the knight. These themes echo in the film, Coraline, where the existence of the “Other” world is a but an illusion which the young girl fails to understand despite the facts that her “Other Mother” has buttons for eyes! Very much similar to the knight's encounter with the beautiful and mysterious woman, Coraline falls for the charms of her “Other mother”. Coraline has a mundane life for a ten year old, has parents who are for the major part of the day immersed in getting their garden catalogue ready for publishing. Coraline wishes her mother would cook for her, instead she is forced to

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