Matt’s relationship with Tam Lin and El Patrón shows how father figures can have a heavy influence on a child’s action, resulting in an overall change in their future behaviors. The two men taking up fatherly roles in the novel illustrate their similar traits to Matt through their actions. Both men appear to care for Matt deeply, treating Matt as if he matters and is not simply a clone to be used. Similarly, they also give him a sense of strength, continuing to shape Matt’s young mind. Their care gave Matt a form of stability, forming his character and keeping him from becoming someone like Tom, a young man who has received no love and positive attention.
The reader can understand the relationship between father and son by simply reading the salutation. Chesterfield directly refers to his son as, “boy,” this shows his lack of respect for him along with his absence of familial weakness to him in contrast to his wife, which he states further on in the letter. Another example of diction that shows his values is how he repeatedly reminds his son that he is young; this is used to belittle his son and make his advice carry more weight. Last, he uses the word, “friend,” to give the tone in which he wishes to give his advice. He sought to give advice as a peer rather than a parent, which shows his devotion to his son because he is not acting like the dominant father he very clearly is.
In the excerpt from the letter written by Lord Chesterfield to his son, he implies that he would like to advise his son and also reveal his own values. The author uses several rhetorical strategies throughout the text, such as anaphoras, rhetorical questions, and metaphors, which indicate his own values. Lord Chesterfield uses long sentences, separated by colons or semicolons, which may suggest he wants to advise his son in a quick, but friendly manner. Lord Chesterfield uses irony by when he first addresses his son, he does not “mean to dictate as a parent; only to advise as a friend.” As the letter continues though, he hints to his son that he is his father, and indeed he wants him to listen and follow to what he is informing his son of. The author also continues to explain to his son that he is “absolutely dependent upon him” and that “he neither had, nor can have a
Arturo’s grandfather tells Arturo “I always thought your father was a cabrón.” While his grandfather is continuing to insult Raul, alongside his side of the family, Arturo can’t help but to think negative thoughts about his father. Whatever Arturo once admired about his father is squashed. The most famous quote in story, from Arturo’s grandfather is: “Let’s hope he’s not too much his father’s son.” These words seem to echo in Arturo’s head throughout the entire story. We start to see a definite change in Arturo; he has switched from being his father’s son, to being his mother’s son. In the back of his head, he knows that there is a sure chance that his parents will
Toby is confronted with a series of ‘tyrant’ men who use unrelenting violence and blatant manipulation in order to control their wives and children. Whilst demonstrating some degree of unease about these men’s actions and their ‘occasional brutality’ towards his mother, Toby’s vulnerability in this crucial developmental stage in his life, forces him to consider this to be the definition of a man. Considering and applying this dominant definition of masculinity proves to be an error of judgement made by Toby. At some stage Roy is what Toby thinks ‘a man should be’ and is the instigator of his feelings that he needs a weapon ‘for the way it completes him’. Roy, like Dwight, influences Toby’s relationship with his mother and forces Toby to withhold the truth from her.
During the course of the novel of ‘Deadly Unna?’ the readers are exposed to the negativity between the father and his son. This affects Blacky in way that his self-esteem is almost non-existent, and the negativity is prominent throughout the novel. Examples of the neglect shown by his father are that of the time when Bob refers to Blacky as a ‘gutless wonder’, and the journey we take through the story of Blacky’s deteriorating respect for him. The ‘gutless wonder’ incident was a influential part of the novel, as Blacky realises that his Dad isn’t one to take advice of someone he feels is inferior than him, thus saying, ‘My own son, a gutless wonder. A gutless fucking wonder!’ When Blacky explains to his father about the storm, Bob insults him rather than swallow his pride and takes his son’s advice on board.
When Sonny’s father receives his son’s phone call, he lashes out at him immediately. There is barely any space for Sonny to explain himself to his father because his father is so upset with him. Both characters are too stubborn and alike to realize the thoughts going on in their own heads. They lack self-awareness, which is why the conversation between the two went the way that it did. In this scene we found that both characters lack self-awareness.
The speaker is reflecting the naively superior feelings of the older boys. The shared smile also hints at their close friendship, an intimacy which is craved by the younger brother but will be denied him because of the ""distance"" between the brothers. The childhood feeling of superiority is later regretted by the speaker, however. ""Looking back"" is used both literally to refer to the older boy checking on the progress of his younger brother to find his bus fare, as well as metaphorically suggesting a look back through
The father's protectiveness is very evident many times throughout the novel, however one of the most notable events was when a man threatens his son with a knife and the father shoots the man in the head. Although this action was probably necessary, the fathers downfall is his suspicion that everyone is their enemy. His father's paranoia causes them to move constantly from camp to camp, consequently, never getting the chance to make friends with anyone. His son, on the other hand, is much more sensitive and innocent. He feels very safe with his father but at the same time he questions some of his decisions.
Essay on Maus Elizabeth Gilbert says “Your emotions are the slaves to your thoughts, and you are the slave to your emotions.” Art Spieglman’s graphic novel Maus looks at how guilt affects Artie. It affects him feeling as if he is not a good son and guilty for not being part of the war and understanding how those who were in the Holocaust felt. Also, Artie feels guilty on the success he got on this book. Artie feels guilty for not being a good son. This can be observed when Vladek wakes up Artie early in the morning to ask him to help fix the roof (page number).