Arthur Rimbaud: the Drunken Boat

1257 Words6 Pages
Rimbaud The Drunken Boat Introduction Arthur Rimbaud was a french poet that lived in Paris during the second half of the nineteenth century. He is remembered for his writing of three major works: The Drunken Boat, Illuminations, and A Season in Hell. Of the three, The Drunken Boat is the most celebrated; it is filled with symbolic exaggerations and metaphorical clauses. In fact, his work was the poetic equivalent to the impressionist and symbolist movements that were developing in all branches of the arts at that time. Rimbaud has had a profound effect on many celebrated poets since his death in late 1891 after being diagnosed with cancer. While The Drunken Boat was written in four-line rhyming stanzas, his writing in his later poetry, Illuminations and A Season in Hell, can be described as “stream of consciousness”—a way of writing poetry that creates long passages of unbroken prose; many of the “beat generation” poets followed his example. The most well known was Jack Kerouak who wrote On the Road, an entire book written without punctuation or pages—all on a single scroll of paper inserted into a typewriter. Other beat poets, such as Allen Ginsberg, were also heavily influenced by Rimbaud. In the last stanza of The Drunken Boat Rimbaud writes, “Nor swim past prison hulks' hateful eyes!” Ginsberg expands on Rimbaud's description of prison when he writes, in the second part of his poem, Howl: “Moloch the incomprehensible prison! Moloch the crossbone souless jailhouse and Congress of sorrows!” Arthur Rimbaud was a leading member of the symbolist movement in the late nineteenth century. He wrote poetry in the symbolist style, just as Debussy composed “symbolist” music and Gauguin painted using symbolist attributes, such as exaggerated color and fantastic, exotic settings. According to Albert Aurier, widely considered to be the premier symbolist authority,

More about Arthur Rimbaud: the Drunken Boat

Open Document