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The Tomb Effigy of Jaquelin deFerriere (Limestone, North French, late 13th century) is unusual in style for the time and place in which it was created. In the 13th century, Gothic art in France consisted of more three dimensional sculpture and more of a variety in the poses of the figures than in the Romanesque period which preceded it. The Tomb Effigy of Jaquelin deFerriere falls into the transition period between the Romanesque (11th- 12th century) and Gothic time-frames (12th- 15th century), which may contribute to its flat, simple, linear appearance. Its appearance is not exactly Romanesque or Gothic, though it contains features from each period. The Tomb Effigy has the Romanesque features of being flat and rectangular with much empty space. The stiff pose of the figure is also Romanesque in style. The Tomb Effigy also has some Gothic features, such as the strong outline, which makes up each section of the image. This feature is reminiscent of French stained glass from around the same time period.

The large, plain rectangular shape of the Tomb Effigy is like the boxy and geometric appearance of architecture from the Romanesque period. Buildings from the Romanesque period were generally plainer than in the Gothic period, with little decoration. They seemed to be sectioned in large rectangular shapes and had a boxy appearance. Saint Etienne, a church built in the Romanesque period in France, shows this geometric rectangular style (fig.2). The style is flat and does not feature many sculptural adornments, if any at all. As in the Tomb Effigy, the blank rectangle is interrupted only by the figure carving of Jaquelin deFerriere. This plain adornment carved into a large rectangle of Limestone is like the style displayed in the facades of Romanesque





architecture. The west façade of Notre-Dame-la-Grande (fig.3), also in France, also shows this rectangular appearance.

The stiff pose...